CfMRF... is sleeping...

Champignons for My Real Friends... has ended.

Please find the sequel at Ringo Stalin's Curios (and other oddities).

Much obliged.

- Ringo Stalin

Monday, March 24, 2008

The First Remix!

A few posts ago, I issued a challenge to all and sundry to remix a track of my own creation. Steph, aka Stepharoo, took the challenge and has submitted the first remix!!!

Thanks, Steph!

And inspired by the remix, I made this visual mashup:

I'm a pretty lady!

Stepharoo - Dead Bodies on the Dancefloor (Sophie Ellis Bexter's Corpse Remix)

- Ringo Stalin.

Saturday, March 8, 2008

SA Great Pt 1

SA Great Pt. 1
(this post has not been endorsed in any way by the 'SA Great' people, but surely they would if they knew about it)

Chris, over here, recently asked me if there were any Adelaide bands that I could recommend, in anticipation of his impending move down here. The fact that bands form, dissolve, and intertwine with one another in the space of a day means that any list I write would by no means be exhaustive, or even scraping the surface of what goes on in our shadowy little town.

In addition to this, it's pretty difficult actually getting hold of recordings of some of the bands I want to include.

But I'll certainly give it a good ol' college try!!! (click the pics for webpages)


These guys have been around forever. Starting as a two piece, Jess (left) and Kynan recruited Seb and they started trading instruments with alarming regularity, and with equally alarming proficiency. Seb recently moved to London (the subject of the farewell post below) and Scott has picked up the sticks...

Hit The Jackpot - Cats & Dogs


... and that's Scott on the left, in one of the greatest album covers ever (for the full effect, see the insert and back cover too). Lindsey Low Hand are Scott, Craig and JC. Craig's from Melbourne, so I guess technically they're not an 'Adelaide band' per se, but I don't hold much credence in that whole 'Melb v Adelaide' thing anyway, so for all intents and purposes, here they are.

I guess their track 'The City' would've been more apt for Chris' arrival, but some people would argue that the track I chose instead would be too.

Lindsey Low Hand - Dull & Ordinary

Not me, though. I love this town.


What on earth do I say about Birth Glow?? They've been labelled all sorts of things, but nothing has really hit the nail on the head. Personally, I think the photo (taken at the tail end of a looong Halloween party) says it all.

Birth Glow - Too Slow


aka Nigel. This man is my hero. I tell this story to anyone who'll listen: I was DJing (in the sense that I put CDs in to the players and hit 'play') at an event and I played 'Harold & Joe', a Cure b-side. Nigel then played a set, one man, a guitar and a 4-track player. I was blown away by the pure creativity and sense of joy and the uniqueness (uniquity?) of it all. Then he dedicated his version of The Cure's 'Caterpillar' to me, for playing Harold & Joe. Well, I was chuffed. At the time, I was looking to form or join a band but no one was really doing what I wanted to do. So I approached Nigel after the show and asked him if he needed a Fruitbat to his Jim-Bob. Thankfully he knew what I was talking about and said yes. This was back in 1999 and we're still doing stuff together.

Here's his Elliot Smith cover, which, in my book, shits all over the original:

Home for the Def - Needle in the Hay


(no website, sorry)

Well, image searching for this one was interesting! I didn't have any luck, so I used a sketch I did for their track 'Wagon', which never got used (I was asked to do it, it wasn't an unsolicited crazy fan thing). BabyDoll went through a lot of line-up changes before they finally imploded a few years back. At their farewell show, all of the old members got up onstage and it was a bit of a rockabilly love-in, actually. Lots of fun. BabyDoll delivered some of the greatest shows I've ever seen. The crowd would usually go absolutely nuts and there were singalongs, stage-storming, the whole shemozzle. I don't think I've ever seen an Adelaide band stir up such a frenzy since.

The track I've chosen to use was actually banned from the radio, due to a possible contempt of court issue. Yeah, it's called Snowtown, and they mention barrels but I fail to see how a jury would be affected by it... apart from maybe going into a crazy trance of dancing...

BabyDoll - Snowtown


The elusive Horrahedd! Actually a big beardy three piece, Horrahedd hail from the Barossa region and rarely play live shows, mostly due to the fact that the Wurlitzer is a pain in the bum to move.

'Take The Radio' is one of my all-time favourite songs ever and samples 'The Celluloid Closet' to brilliant effect.

Horrahedd - Take The Radio


I haven't actually heard much from the Frequent Seahorse in a while, which is a shame. I remember being at a show they'd organised, which showcased some of Adelaide's bedroom lo-fi electronic acts. I hadn't seen them before and didn't know what to expect. I recall I was conversing with someone in a corner, and I was a wee bit squiffy, and upon hearing Frequent Seahorse starting, I was dumbstruck and interrupted the person who was talking to me and said "Excuse me. I have to leave now. I think I need to see this." and walked away, mid-conversation to watch the band. It was a bit rude but I think it was worth it. I ended up with a copy of their CD in my jacket and listened to it repeatedly over the next few weeks. The above photo was taken at that very same show.

Frequent Seahorse - Moongear

End of Part 1...

- Ringo